Come have a mysteriously good time at Salida's Victoria Tavern
You can scroll the shelf using ← and → keys
You can scroll the shelf using ← and → keys
Shawn James brings extreme passion to his music. You feel it in the imaginative, highly nuanced songwriting and see it in the powerful live shows where there’s never the slightest hesitation and nothing is held back. And, most importantly, you can hear it resonate in Shawn’s most powerful instrument: the unique, soulful voice that sounds like it is literally being torn out of his heart…and it is something you won’t soon forget
Born on the south side of Chicago in 1986, singer, songwriter and multi instrumentalist, Shawn James had a kind, hardworking Mother and a gambling, drunk and often abusive Father. His conflicted home life can still be heard in his music which can be full of contrasts — dark and light, anger and joy, earthy and aiarborne – while remaining gritty and real. Singing in church growing up, he was drawn to the emotional, ethereal power of music and its ability to affect people. It was there that he found his escape and learned how to harness his unique, soulful voice.
After playing in bands since the age of sixteen, Shawn moved to Fayetteville, Arkansas in January 2012. Attracted to the beauty of the natural state and even more impressed by Fayetteville’s diverse and thriving music scene, he began performing every chance he got. The singer, songwriter – who also plays guitar, piano and numerous other instruments — literally turned himself into a one man band. Regardless of where he was playing — on the street, in a bar or at a house party – Shawn’s intensity, inimitable voice and hard-driving folk/soul/blues hybrid made for a performance you wouldn’t soon forget.
By August of 2012, Shawn James had recorded and released his first full-length album, SHADOWS. A local videographer, Anna Hutchison, made music videos for the songs Midnight Dove and The Shadow while another song from SHADOWS, The Wanderer, was used in a Harley-Davidson commercial.
Around this time, friends introduced Shawn to musicians Chris Overcash (violin, viola) and Baker (mandolin, tenor banjo) who were soon asked to join the band, which took on the name Shawn James & The Shapeshifters. “One of the reasons I came up with the name ‘Shapeshifters” is because musicians have a tendency to come and go,” James explains. “It also ties in perfectly with the theme of the trilogy EP’s coming out this year, plus I’ve always been interested in mythology and folklore, so the name stuck.” After embarking on a two week tour of Colorado, the band released a live video showing them performing a cover of John Legend’s Who Did That To You which went viral, garnering an impressive 400,000 plus views on numerous sites.
With the addition of Nick Shoulders (banjo, harmonica), Phillip Farris (bass) and Nick Futch (drums), Shawn James & The Shapeshifters is now undeniably a full band. “I can do so much more musically with the band,” says James, who continues to write all of the music. “We all love to play and our combined energy adds a new dimension to the performance.” The Shapeshifters first recording as a band was THE WOLF (February 2013), the first release from an ambitious trilogy of connected concept EPs — THE WOLF, THE BEAR and THE HAWK
April 10th at 9:30 P.M.
Bonnie and the Beard is a vivacious group–often quite salacious, lost deeply in dream.
Some say they live in a tent and practice juggling flaming arrows when they are not painting their faces and making moonshine. They spin tales of outlaws, redemption and longing through their own brand of boot-stomping americana gypsy rock.
They’ve shared the stage with the likes of DeVotchka, Nicole Atkins, Oakhurst; played Tour de Fat, Sunnyside Music Festival, several stints at the Underground Music Festival, embarked on several tours and shared the stage with many rising acts from across the nation.
“They deliver their songs with such a charming playful seriousness it’s hard not to get sucked into the fun.”
(Peter Washington, Concerted Effort)
They began playing together after spending a hazy summer writing as the old, dusty cowboys they admired. Wandering through canyons and sharing fireside meals with their wolf dog, their stories of reckless rebels began to pour into rousing and passionate songs. They’re almost a wheelin’ dealin’ circus band. Their raw energy and husky voices conjure up images of open desert road, nights under the stars and rusty Cadillacs.
“Bonnie and the Beard possess a sound that is both sweet and sultry yet still raw and rawkus. Combining a bit of delta blues with indie-rock sensibilities, Bonnie and Beard sing about the struggle of human existence with the pipes to knock the dust off the highest rafters of any smoky bar.”
(Illegal Pete’s / Suburban Home Records)
The Hashtones are an American Reggae/Rock, Denver-based band. Formed in July of 2014, this trio can touch different genres of music and make it their own. Every song served presents a behind-the-scenes view of the success’ and failures of Stephen’s life that is skillfully told. From the trials of personal relationships and the angst of growing up, to the struggles of his friends lives, his home life, and major events taking place around the world today. Their music is a journey through the mind of a conflicted yet compassionate soul. The Hashtones love for life, humanity and good times is brilliantly conveyed and displayed first hand at their over the top high-energy live performances. From big muff shredding guitar solos, to deep rolling waves of bass, to the smooth love of a one drop on a drum kit, this band has a little bit to offer for everyone’s taste and love for music. The band has some of the regions most talented and experienced musicians, and each member just seems to add the right piece to the puzzle behind every song. A band you don’t want to miss if you’re in the Front Range area
Inspired by the lonely, the downtrodden, and the insane– the voices of Von Stomper, a Colorado based five piece, reach into the expansive lexicon of American roots music and make it howl. Their high energy live show has left boots tattered and dance floors torn time and time again.
Since August of 2013 Von Stomper has played over one hundred shows in thirteen states and counting – sharing the stage with acts such as The Dirty River Boys, Roadkill Ghost Choir, Swear & Shake, Uncle Lucious, Wood & Wire, The Yawpers, Local H and many more. With their self-titled debut studio album-recorded at UI Soundstudios – they continue to pave their way through America’s countrysides and city skylines.
“With vintage sound and modern swagger, Von Stomper excellently couples old-time folk Americana with some rock attitude and almost vaudevillian flair. The self-titled debut shows a new band that is already chiseling its name into the American songbook with a rootsy, bluesy style and a little bit of circus freak panache.”
Marquee Magazine 6.1.14
It is time for us all to come together and celebrate the wonderful man Greg Gamber was. His family, two children need our help and support. We will be having a silent, and live auctions, dinner, live music, and much more. Please contact Fawn Walker for any donations and Molly A. Simonson with help on the dinner. Any and all help would be much appreciated. Greg touched so many of our lives in so many ways and now it is time to celebrate the life of Greg Gambler, with his beloved family and friends. Please join us for Greg’s wake and fundraiser.
Over the past 35 years, he has performed both as a soloist and as a member of symphonies, rock bands, jazz combos and big bands. He has been featured on over 100 recordings, including a dozen self-produced releases. He has traveled throughout the US and Europe, playing in an incredible variety of venues in front of audiences ranging in size from 1 to 10,000 (ah, the life of a working musician!). The dedication of playing upwards of 300 nights a year for 25 years has resulted in a deep understanding of the subtle nuances of music and an absolute mastery of his instrument which is sharply evident the instant his finger touches a string.
In 2010, Tom Waits recruited James to play bass on his 2011 release Bad As Me, alongside superstar artists such as Keith Richards, Charlie Musselwhite, Augie Meyers (Little Richard, Bob Dylan), Marc Ribot, Dave Hidalgo (Los Lobos, Bob Dylan), Flea and Les Claypool. James is one of seven bass players on the recording, but Waits chose to use James’ bass tracks on 7 of the 16 songs. Bad As Me was an astounding success; named as the best reviewed album of 2011, it outsold every other recording in Waits’ catalog and was nominated for a Grammy.
Throughout his career, James has been fortunate to play with many of his heroes, including Tom Waits, George Clinton (P-Funk All Stars), The Rev. Horton Heat, Les Claypool, Vernon Reid (Living Color), Dave Schools (Widespread Panic), Nels Cline, Eric Burdon (The Animals), Bernie Worrell (P-Funk, Talking Heads), Thomas Dolby, Lady Kier (Dee-Lite), Fred Wesley (James Brown), Angelo Moore & Norwood Fisher (Fishbone).
Currently, James lives in Albuquerque, NM and is touring the country as a solo artist.
James’ solo playing is “beautiful, unexpected and mesmerizing” (SF Bay Guardian). He applies looping technology to his upright bass, using his skills with the bow and an arsenal of effects to produce music that instantly engages his audience, at the same time surprising them with how much melody, how much beauty, how many different sounds can come from an instrument usually relegated to supportive roles.
In addition to his original compositions, James performs covers of familiar songs in unusual ways, causing ears to perk up and faces to light up as audiences gradually recognize songs they have heard thousands of times, yet have never heard quite like this. His set never stays in one place for long, leaping effortlessly from dark, beautiful classical music to overdriven, heavy rock n roll to Motown funk and pop to ambient soundscape. At one moment, you’re listening to a multi-layered string section; the next moment, he is playing heavy, distorted funk. He shifts through an amazing variety of seemingly disparate genres with ease, orchestrating the incredible range of sounds he is able to pull out of his double bass into a whole that is surprisingly full, sublimely tasteful, and simply fascinating.
James Whiton’s Solo Loop Bass Madness was awarded one of the Best Live Shows of 2012 in Oakland, CA by the East Bay Weekly.
Imagine the feeling you get the moment you put on your favorite band and all your problems seem to drift away. That feeling is spreading across the U.S. thanks to Pasadena.
Formed in 2000 by lead singer Joey Harkum in his hometown of Pasadena, Maryland, the band’s popularity has grown as they have gone from playing in small bars in Pasadena to signing with management from 1Koast Entertainament and performing for sold out crowds all over the U.S.
Over the past few years Pasadena has provided smooth bass lines, emotional lyrics, intricate rhythms, and beautiful harmonies that have helped create an unbreakable bond with their fans.
Pasadena believes in freedom of expression and by composing and performing their original music they liberate themselves from any struggle or conflicts they may face. Thanks to the heart and soul poured into each and every song, Pasadena’s music has inspired an ever-growing fan base.
You can anticipate great things from Pasadena in the future, and don’t be surprised when you hear their influential music in your town.
June 11th- 14th 2014!
Wednesday night at 9:30: Radio La Chusma is a unique latin band from El Paso that is famous for its cultural singularity and catchy rhythmical style of music.
Thursday night at 9:30: Better Than Bacon is a greasy Rock N Roll band out of Fort Collins
Friday night FIBArk after party with an encore performance by Radio La Chusma! This six piece band features four part harmonies and a high energy live show. Their new “Frontera Reggae” sound takes the reggae vibrations to a whole new level. Finding inspiration from pre-Columbian and African traditions, Radio La Chusma has been inspiring crowds for the past eight years. Radio La Chusma is, first and foremost, a reggae band, but the band also incorporates cumbia, Afro Cuban music, and world beat rhythms that are a combination of all of the above. In fact, the band is a veritable word beat encyclopedia of sounds.
Saturday night the FIBArk after party continues with SOAP, a fusion of highly danceable rock, intricate song craftsmanship and psychedelic funk. Set out to make every show inspiring. Imagine going to a double matinee showing of Led Zeppelin & P-Funk at Dream Theater and then heading to an Amsterdam discotheque to dance until the sun came up. That’s about as close as can be described without seeing Soap for yourself.
June 7th 2014
The Pond Biography
Bob Matthews Helped Shape Rock n Roll Music and how it is recorded, now he has a last request for his, “Bucket List.”
Bob Matthews- Bass guitar, producer and inspiring sage: Bob’s career started in the 1960’s with a band named The Grateful Dead. Bob produced and engineered on many of the Dead’s classic records. “ Workingman’s Dead”, “Live Dead” and “Garcia” are just a few of his credits. Together with Betty Cantor Jackson, the team also is responsible for the live recordings of the Dead into the 1980’s. Their recordings are regarded as the greatest document of live music ever put to tape. Bob was also the first bass player for New Riders of the Purple Sage. He plays a unique custom bass made of aluminum.
David E. Brown-Studied piano with mother at age six. Started violin at age nine. Played violin through high school and college. Worked as an apprentice violin-maker in San Francisco. Studied string bass with Vernon Alley. Studied sitar with Ali Akbar Khan. Played string bass and electric bass professionally for fifty-nine years. Was a recording engineer/producer for many years including five years with Columbia Records in San Francisco. Album credits include Santana Abraxas and Santana 3, five albums with Taj Mahal and many other artists including Paul Simon and Barbara Striesand. Worked with Bob and Betty on the Grateful Dead’s “Workingman’s Dead” album while the house engineer at Pacific High Recording in San Francisco. Currently working as a singer and guitarist and teacher of music appreciation at several Santa Rosa nursing homes.
Larry Otis- Electric guitar, slide guitar and mandolin: Larry is one of the finest guitarists in the country. His playing can only be described as soulful and powerful. He has performed with Ike and Tina Turner, Billy C. Farlow of Commander Cody fame and has played on sessions for the renowned Motown label. Larry plays in many Bay Area bands and has released his own compositions as well. From his bio Larry explains,” Jerry Reed meets Sergio Leone country on steroids.”
Stan Davis- Acoustic guitar and vocals: Stan is a Colorado native who has been writing amazing songs for the past 25 years. Stan has performed his songs in his own band and has played with The Lindells and The Beautiful Loser Society as well. His songs sit right along side Townes Van Zandt and Guy Clark. His songs take us to both light and dark places. His powerful voice and percussive guitar playing anchor the trio.
Bob Matthews Helped Shape Rock n Roll Music and how it is recorded, now he has a last request for his, “Bucket List.”
Bob Matthews was an integral part of Rock n Roll history. He was the “Bob,” in the famous “Bob and Betty,” duo who recorded much of the early Grateful Dead albums, both Live and Studio albums. Bob is recognized for his Live Recording and for keeping music honest and real.
In the Fall of 2012, Thanksgiving Day, Bob spent the better part of a day on the operating table in a hospital in the East Bay of California. Diagnosed with Multiple Myeloma Cancer, Bob has been given limits on the time he has here on Earth. As part of his, “Bucket List,” Bob has decided to spend more time with his first love, Music.
As a young man, Bob was the first Bass Player for New Riders of the Purple Sage. Keeping up with playing with a new band, and still doing the lion’s share of the production work and sound engineering for the Grateful Dead and others, became too much, so Bob had to decide which way he wanted to go… Bob continued working with the technical side of music. The rest, as they say, is history. Bob assisted in or produced some 10 Platinum albums. He was involved as Sound Engineer for some of the Grateful Dead’s most famous tours; Europe ’72, the Pyramid Shows in Egypt, and the Wall of Sound Tour, just to name a few.
So, our request is simple; we wish to take Bob out on one last tour…this time, as a musician… Bob is an excellent bass player in his own right. He was the first bass player for New Riders of the Purple Sage, and is a valued member of The Pond, (Formerly Cement Pond,) as bass player, writer, collaborator and, of course, Producer and Sound Engineer
When JJ Cale goes dancing across the floor during your sound check, you know you’re doing it right; one more reason for the Lindells’ well deserved reputation for making music that’s “engaging, wide-ranging and diversified”. It’s inspired by the deep, high mountains and vast, lonely deserts of the American West. Their songs get inside you and dance down into your dreams – you just might wake with one of their songs in your head!
With standout songwriting and their “signature sound”, the Lindells (rhymes with bell) burn through and defy all kinds of musical boundaries with music that’s fierce and stunning. Based on breathtaking vocal harmonies and amazing, intuitive playing, the Lindells’ music grooves with their own brand of psychedelic mountain folk and rock – it’s intimate, supple and sultry, with a definitive underlying hard-earned grit.
Tonight at 9!